Upon returning to Vienna from an absolutely perfect two-week Christmas vacation to America, we were unsure what feelings we would have about being back here. Would we be more homesick than ever? Would we find it difficult to go back to life in a foreign country? But, much to our surprise, God blessed us both with a peace about coming back to Vienna. Going home for Christmas put things into perspective, and we now view our daily lives here with a fresh outlook. Consequently, we've been much happier, more at ease, and we feel much more at home here than when we left in December.
Since we've been back, we've had some great stuff happening. My brother Jacob came to visit for a week, and it was really good to hang out with him for more than just a day at a time. We spent most of the time relaxing, watching The Office, and eating, which was fine with me! We did go skiing with him for a couple days, and it went much better for me than the last time we went (see post below). It was Jacob's first time, and he learned very quickly, mostly because we started on the slopes you're supposed to start on, but also because of the legendary dexterity, cognitive skills, and athletic prowess that are commonly associated with the Wilson name. :)
You can check out a few pictures here.
This month, I also had my first experience with the longest of the Wagner operas, Die Meistersinger von Nuernberg. It is a landmark piece in the opera repertoire, and despite its dubious honor of being the favorite opera of the Nazi regime (for its 'hurray for German heritage' content), it is a truly wonderful work. The Vienna State Opera's production of it is spectacular to say the least, and they bring out big-name singers and one of the biggest-name conductors in the world right now, Christian Thielemann. Tonight is the last of 5 performances in this run, and to my surprise I have ENJOYED sitting and playing this immense 5-hour opera!
On the opposite end of the spectrum, I've also enjoyed playing 3 calls of Mozart's Don Giovanni on alto trombone. The thing about this opera is that Mozart chose to reserve the trombones until the VERY end, literally about the last 10 minutes of the whole opera. This means that we don't even show up to the opera house until 2 1/2 hours after the opera has started. We sneak into the pit right around the 3 hour mark, play our bit, and the opera is soon over. Not a bad contrast to Wagner!
One of the coolest, if not THE coolest thing I've done since I got here happened two nights ago at the Vienna Philharmonic Ball. Ball season is kinda like Vienna's alternative to Carnival or Mardi Gras as the party season just before Lent. It's really interesting to read all about it in this New York Times article or on the WPh website. Anyway, the cool thing is that Richard Strauss (you might've heard of him) wrote a fanfare for the opening ceremonies of the Vienna Philharmonic ball which has been performed every year since 1924. This is the fanfare that many brass players will recognize as Fanfare for the Vienna Philharmonic. On Thursday night, I was privileged to perform this fanfare for the 2007 WPh Ball, and it was unbelievable!
I've never in my life seen such pomp and ceremony. They transform the whole Musikverein in this unbelievable ballroom, with flowers and velvet covering every wall, and they remove all the seats on the main floor to create a gigantic dance floor. The thing about playing this fanfare with the real Vienna Philharmonic is that they love to play it LOUDLY! I mean, REALLY LOUDLY! They had us in the balcony, just to the left of the big organ in the main hall, and there were times I couldn't tell what note I was playing. It felt right, so I hope it sounded right!
Despite the abnormally high volume, the brass section really sounds very, very good. The guys take great pride in this fanfare (which they simply refer to as Strauss Fanfare in E-flat) and it

shows when they play. I had goose bumps that didn't go down for hours. For those who know the fanfare, you know there's a really great horn lick at the end that ends on a high E-flat. Let's just say that I almost had to stop playing to compose myself when our great horn section played it. Oh, and I almost forgot... when we get to the end, we take a repeat to the top and do it AGAIN to give the dignitaries more time to file in. I hope I get lots more opportunities to play the fanfare in future years, but I will always remember the first time.
Coming up next: 5 days in Salzburg for the Mozartwoche festival.
Repertoire: Bartok - Concerto for Orchestra, Schubert - Mass in E-flat
WOW! God is good.